The Lucas Museum of Narrative Art, a $1 billion project co-founded by George Lucas and Mellody Hobson, is nearing completion in Los Angeles' Exposition Park, with an anticipated opening in 2026. Designed by Ma Yansong of MAD Architects and executed by Stantec, the five-story, 300,000-square-foot structure is distinguished by its futuristic, flowing form that blends into the surrounding park landscape. The museum will feature galleries, theaters, classrooms, and public spaces, and will house a vast array of narrative art from Lucas’ personal collection, including Star Wars and Indiana Jones memorabilia. Originally proposed for San Francisco and later Chicago, the project faced setbacks before settling in Los Angeles in 2016. The building incorporates sustainable features like geothermal systems, rooftop solar panels, and a super-insulated envelope. A landscaped roof and surrounding gardens designed by Studio-MLA enhance its integration with nature. The structure itself is aimed at being a vessel for storytelling, both through its architectural expression and the immersive experience it offers, emphasizing emotional connection, openness, and discovery.
The newly opened V&A East Storehouse in London offers a revolutionary museum experience by giving the public direct access to over 250,000 objects, 350,000 books, and 1,000 archives from the Victoria and Albert Museum's extensive collection. Unlike traditional museums, visitors can touch many items and even book one-on-one "Order an Object" sessions with specific artifacts, including a 1954 Balenciaga gown or a Vivienne Westwood sweater. Situated in the city's reimagined Olympic Park, the Storehouse is part of a larger cultural district developed after the 2012 Games, aiming to engage local communities and promote transparency in museum practices. Designed by the firm behind New York's High Line, the building showcases oversized pieces like Picasso stage curtains and Mughal architecture. The site also will host the upcoming David Bowie Center. Emphasizing openness, the museum features displays on conservation work and allows viewing of staff activity, aligning with its mission to make the entire national collection accessible to everyone.
The United States is experiencing a significant boom in art museum construction and renovations, with approximately 90 new cultural projects announced in North America last year, according to AEA Consulting. This surge includes major expansions and renovations across the country, from the Joslyn Art Museum in Omaha to LACMA in Los Angeles. Influenced by pandemic pauses and increasing needs for system upgrades and relevancy, institutions are investing in large-scale capital projects. Enhancements often feature modern galleries, new visitor amenities, and extensive mechanical updates, aiming to attract diverse and younger audiences. Major funding stems primarily from private philanthropy, echoing the Gilded Age museum foundations. Notable projects include expansions at the Frick Collection, the Broad, and the Met, some supported by promised art donations. While museum building hits historic highs, experts like Adrian Ellis suggest the trend may be peaking, particularly in the U.S. and Europe, due to economic uncertainties. Despite the growth, questions persist on whether larger institutions offer better visitor experiences, emphasizing the value of smaller, more intimate museums.
In 2020, the Christopher Columbus statue in New Haven, Connecticut, was removed following public outcry amidst a national reckoning on racial justice after George Floyd’s death. The statue had been a focal point of controversy, with critics denouncing Columbus as a symbol of European colonization and oppression of Indigenous peoples, while supporters viewed it as a tribute to Italian-American heritage. Originally installed in 1892 in Wooster Square—a historically Italian neighborhood—the statue was frequently vandalized and led to public clashes during its removal. On May 9, 2025, city officials announced that the statue will be permanently displayed at the Lost in New Haven Museum under an art loan agreement. The museum, which aims to showcase New Haven’s diverse history, plans to present the Columbus monument within the broader context of the city’s development, including recognition of the indigenous Quinnipiac people. Local Italian-American representatives expressed satisfaction with the decision, emphasizing the statue's cultural significance. The city has since dedicated a new monument honoring immigrants to replace the Columbus statue in Wooster Square.
